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Lives of Mothers and Children

by Michelle Templeton

Click the images below to enlarge.
Michelle Templeton, Beach Day, 2016, watercolor on paper, 8"x10"

Beach Day, 2016

Michelle Templeton, Reading, 2015, woodblock print on paper, 8"x10"

Reading, 2015

Michelle Templeton, Sprinkler, 2016,watercolor on paper, 8"x10"

Sprinkler, 2016

 

Michelle Templeton, Treehouse, 2014, woodblock print on paper, 8"x10"

Treehouse, 2014

Michelle Templeton, Peacocks, 2017, watercolor on wood panel, 8"x10",

Peacocks, 2017

Michelle Templeton, Tall Tree, 2016, watercolor on paper, 8"x10"

Tall Tree, 2016

Michelle Templeton, Pattycake, 2016, watercolor on paper, 8"x10"

Pattycake, 2016

Michelle Templeton, Woolly Hat, 2015, arved woodblock and pencil, 6"x4"

Woolly Hat, 2015

 

Artist’s Statement

These images come from my interest in what happens to a woman when she becomes a mother. How does motherhood alter the self? How do those alterations affect our relationships with ourselves and our children? Mothers and children are often overlooked. People don’t want to see breastfeeding mothers; they don’t want to sit next to small children on airplanes or be disturbed by their noise in public spaces. As a culture we aren’t primed to listen to mothers’ stories or to remediate their loneliness.

If nothing else, becoming a mother focuses your attention on other mothers and on everyone’s children. Anne Enright, in her book, Making Babies: Stumbling into Motherhood, wrote: “I see children everywhere, and they are everywhere surrounded by hazards or pleasures that I check for, even though it is none of my business… After which, I look up and check their mothers. I measure them against myself for age, sudden fat and despair…” As a mother, I see what Anne Enright as a mother sees, what all mothers see, and I have used it to make images for others to see.

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Michelle TempletonMichelle Templeton holds an MFA in Fiction from Antioch University Los Angeles. She works as a writer and visual artist in Seattle. In the studio she paints and makes woodblock prints. At the keyboard she writes fiction and is at work on a novel. She has exhibited work in a variety of Seattle venues in both group and solo exhibits. Her literary work has appeared in Firefly Magazine, Lunch Ticket and Helen: A Literary Magazine (forthcoming). To see more of Michelle’s art work, please visit www.michelletempleton.com.

October 12, 2017 lunchticket

2017 marked the 20th anniversary of the founding of the MFA in Creative Writing Program at Antioch University Los Angeles. We are commemorating this occasion with a special edition of our journal.

Lunch Ticket Special: Celebrating 20 Years of Antioch’s MFA in Creative Writing features new and previously published works by Antioch MFA alumni.

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A Word from the Editor

Social justice can have an expansive or narrow focus. It can emanate from a handful of the like-minded, or a community—or even a country. It can encompass two billion Facebook users or the entire global community. On a daily basis, we telescope from the personal to the interpersonal, our friendships and peers, and then outwards to the struggles of communities, societal ills, or global epidemics. These spheres often clash…

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  • About
    • A Word from the Editor
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