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In Remembrance

by Daniel G. Reinhold

Click the images below to enlarge.
Daniel G. Reinhold, Yoni #4, 2010, digital

Yoni #4, 2010

Daniel G. Reinhold, Kaleidoscope Rhino, 2013, digital

Kaleidoscope Rhino, 2013

Daniel G. Reinhold, Baby Rhino, 2001, acrylic on canvas, 60"x72"

Baby Rhino, 2001

Daniel G. Reinhold, unknown, digital

Unknown, digital

Daniel G. Reinhold, SUV in pupil of an eye, digital

SUV in pupil of an eye, digital

Daniel G. Reinhold, Rhino in Lights, date unknown, digital photo for Christmas card

Rhino in Lights, date unknown

Daniel G. Reinhold, Half Rhino/Half Dog, 2001, acrylic on canvas, 48"x72"

Half Rhino/Half Dog, 2001

Daniel G. Reinhold, Watermelon Dog, 1998. Acrylic, 18 X 24 in

Watermelon Dog, 1998

Daniel G. Reinhold, unknown, digital

Unknown, digital

Daniel G. Reinhold, Orange Man, 1997, acrylic on canvas, 72" x 48"

Orange Man, 1997

Statement about Artist

We are honored to include Daniel G. Reinhold’s art work and poetry in this issue, and would like to thank his widow, Patty Carbajal, for  procuring and identifying his artwork and giving us permission to reprint. Faculty member Jenny Factor spoke of him with eloquence in this Lunch Ticket post, “Some Memories of Daniel G. Reinhold.” I have a single memory of Daniel from my first “brown bag” reading during an Antioch MFA residency, which is where students read works-in-progress and polished material in front of peers. He was graduating that term and I was in my first semester, terrified, my hands trembling on the pages I was about to read. He read a poem about his deceased brother, which moved me to tears, and just afterward, I had to collect myself and read an essay about my recently passed father. I recognized in his work the grief that naturally follows us throughout our lives, empty spaces we must fill again, never quite matching the original contours of what has gone missing. Grief is jagged. In looking over some of Daniel’s art work, I see the reproduction of those ideas—the smaller spaces held within larger ones, circles within circles, eclipses of color that overlap but never quite complete.

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Daniel ReinholdDaniel G. Reinhold was Lunch Ticket’s inaugural poetry editor and the MFA and post-MFA graduate of Antioch University Los Angeles. His poetry was published in The Painted Bride Quarterly, Samizdat, Axe Factory Review, and H_NGM_N, and his teaching was featured on New Orleans public radio. The recipient of a Pennsylvania Council on the Arts Fellowship, Daniel also lived in Ithaca and New Orleans, and worked as an acrylic and encaustic painter. He died unexpectedly in the early hours of Tuesday, April 21, 2015. Daniel liked to say he was obsessed with “rhinos, Gatorade, and the promise of rain.”

October 12, 2017 lunchticket

2017 marked the 20th anniversary of the founding of the MFA in Creative Writing Program at Antioch University Los Angeles. We are commemorating this occasion with a special edition of our journal.

Lunch Ticket Special: Celebrating 20 Years of Antioch’s MFA in Creative Writing features new and previously published works by Antioch MFA alumni.

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A Word from the Editor

Social justice can have an expansive or narrow focus. It can emanate from a handful of the like-minded, or a community—or even a country. It can encompass two billion Facebook users or the entire global community. On a daily basis, we telescope from the personal to the interpersonal, our friendships and peers, and then outwards to the struggles of communities, societal ills, or global epidemics. These spheres often clash…

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  • Home
  • Table of Contents
  • About
    • A Word from the Editor
    • Mission Statement
    • Masthead
  • Contact